The story of a housewife who, in order not to go mad, commits her pain to four notebooks. It is also the story of her slow but lucid and life-affirming liberation from a marriage that was suffocating her freedom.
Two genocides: the first perpetrated by Hutu extremists against the Tutsi and moderate Hutu in Rwanda in 1995; the second, in ex-Zaire, is the killing by Tutsi of the Hutu who escaped Rwanda.
A 110 min. creative documentary chosen for the 60th Venice Biennale on the past and present of a corner of the world, a work dealing with images sunk between memory and reality.