The story of a housewife who, in order not to go mad, commits her pain to four notebooks. It is also the story of her slow but lucid and life-affirming liberation from a marriage that was suffocating her freedom.
“The longed-for upside-down world which haunts the girl’s premature disenchantment is woven through the narrative in a clear and coherent web of symbols" (J.Young - 'Pardo News' Locarno Film Festival)
A 110 min. creative documentary chosen for the 60th Venice Biennale on the past and present of a corner of the world, a work dealing with images sunk between memory and reality.